#WHAT FILE TYPES DOES DAVINCI RESOLVE SUPPORT FULL#

Also, they often lack a timecode track or sufficient metadata to support a full post production pipeline. While the smaller file sizes make it easier to shoot lots of footage with these types of cameras, the files are very difficult to manipulate in post production. Consumer or prosumer camcorders like the Sony FX3 record video in heavily compressed formats. As capture resolutions increase-you can get 6K video capture for under $2K, these days-the processor workload follows suit. Heavily compressed camera files typically come from more affordable, prosumer cameras that shoot variants of H.264 (AVC) or H.265 (HEVC).īecause these codecs require more processing power to play back, working with them in Resolve can lead to stuttering previews, even on expensive hardware. This variety can make things tricky, but it helps to break them down into the following categories: heavily compressed, raw, intra-frame, and intermediate.Įach type of codec and compression presents its own challenges. The original camera files produced by today’s cameras come in a range of aspect ratios, resolutions, frame rates, compression types, and codecs. Now that we know what the most likely usage models are, let’s take a look at the media we’re working with. The standalone approach can be used on any particular project, but it’s most common in higher-end workflows like feature films, television shows, and high-end VFX work. Greg Fisher of Company 3 used Resolve to color Ad Astra. While Resolve is being used more and more for things beyond just color, it’s still known as a high-end color grading tool for colorists.

The standalone workflow is still the most common usage of DaVinci Resolve.

#WHAT FILE TYPES DOES DAVINCI RESOLVE SUPPORT TV#

Usually, this would involve more specialists like editors, colorists, etc., than a single generalist, and you’ll find that it’s common in commercials, non-scripted TV shows, and documentary projects. As part of a sequential workflow, the colorist handles a specific section of the pipeline. Each stage might be handled by one person or multiple people, but there’s a clear differentiation between the various stages. The sequential approach is a more conventional workflow with each stage of post production being handled in order.įrom creating proxies, breaking down footage, screening, editing, motion graphics, color grading, VFX, online and delivery. Typically, the project stays with a one-person generalist from start to finish, and you’ll often find it found in projects like wedding videos, music videos, corporate videos, or sometimes even independent films or YouTube videos. This type of workflow is more common among smaller production companies or independent shooter/editor scenarios.

#WHAT FILE TYPES DOES DAVINCI RESOLVE SUPPORT MOVIE#

The indie movie Currency was created using an all in one workflow in DaVinci Resolve. Usually, this means working with original camera files, creating graphics as you go, working on VFX as needed, crafting an audio mix from original sources, and rendering out a final timeline directly from the same project. The all in one approach basically means dumping in source media and going to town without much pre-planning or separation of post production tasks.

Let’s start by considering the approach you’ll be taking, as this will help to define the tools that fit the task.

#WHAT FILE TYPES DOES DAVINCI RESOLVE SUPPORT HOW TO#

So in this article, we’ll be taking a look at how to use the tools provided by DaVinci Resolve to get more out of the machine that you have. Top-tier work is created on older hardware all the time. When our computers start to buckle under the strain, our first response is often to replace them with something faster. Deadlines are shorter, render times longer, and stress is higher. Over the past 17 years, DaVinci Resolve has evolved from a color grading application reserved for high-end facilities into an editorial, VFX, audio mixing, color grading multitool.ĭuring the same period, file-based workflows, the democratization of software, and the internet have all led to workflows that are very different from traditional film and tape.īut these changes have brought with them a high degree of pressure and raised expectations around delivery.

What file types does davinci resolve support